How to Write & Draw Comics
Emmy-award winning artist Dean Haspiel gives some insights on the craft and business of comics, the benefits of being part of a studio community and his current work on the series The Fox with writer Mark Waid. Dean also shares what he believes to be the secret to making better comics: It’s all about hair! For more about Haspiel’s work, check out http://www.deanhaspiel.com and http://www.tripcity.net .
You know the term KISS – Keep It Simple, Stupid?
Today I invented the term PASS – Plan Ahead, Stupid, Stupid. (Well, it had to be four letters I think). That note is going up on my wall.
I’m kind of between projects at the moment, and I did the mistake of NOT having anything planned for today’s work.
So what happened?
Kitchen talk at the studio for half an hour and the wasting an hour on YouTube. Saw some great clips with comedian Ricky Gervais, but how does that help my work life?
So my Tip of the Day is a no brainer, something I usually practice: Plan ahead. Know what you will be working on next day, have a prioritized to-do list. An empty desk and an empty calendar is not very motivational and even though I have PLENTY of stuff I COULD do, I end up spinning the wheels all morning, going nowhere.
Perhaps I’m being too hard on myself. But who else is gonna be, right?
At NYCC I talked to Seth Peck about the Bad Karma writing collective, the succesful Kickstarter campaign behind the book Bad Karma Vol. 1 and about the importance of having partners in crime. For more info on Bad Karma and to get books and merchandice go to http://badkarmacreative.com/
We’re often told to listen to the voice inside ourselves. But what if that voice is preventing you from working on the thing you love most? This morning I went back to the New York Comic Con to talk to Tom Lyle (tomlyle.blogspot.com), comics artist known for his work on Spiderman and Batman & Robin and teacher at the Savannah College of Art & Design (https://www.scad.edu/). And I was surprised and encouraged by the fact that this 28-year comics veteran also hears voices. So it’s not just me!
Give it a listen and leave comments below.
I met Jim Zub, writer of Skullkickers, Samurai Jack and the Pathfinder comics at the New York Comic Con and grilled him about why he is letting everyone in on the secret to making comics. Turns out it’s all because of roleplaying!
For more of Zub’s great advice, go to http://www.jimzub.com or follow @jimzub on Twitter.
At cons like NYCC you hear a lot of chatter about “breaking in” to comics. In this episode we get three different perspectives on the subject: from writer Kurtis Wiebe (http://kurtiswiebe.wordpress.com/), artist Rick Parker (http://rickparkercartoons.blogspot.com/) and colorist Jose Villarrubia (http://www.mica.edu/About_MICA/People/Faculty/Faculty_List_by_Last_Name/Jose_A_Villarrubia.html). Some great tips and valuable insights in this one!
