Where do ideas come from? How do you know if a story idea is good or not? And is it true that Danish writer/artist Palle Schmidt wrote a big Hollywood movie? Yes! Well, almost…. This video uses music from https://www.bensound.com
Do you envy people who are more succesful than you? Then you’re like 99,9% of all creatives. But in this video I argue that you should wallow in your lack of success!
Your worst enemy as a creative… is yourself!
If you think you’re alone in feeling like a hack, a fraud and a talentless poser, think again. We all have an annoying voice in our head, telling us we suck! What to do?
Watch this video, that’s a start.
What does David Lynch, Picasso and George Lucas have in common? Setting up guardrails for your creativity can have surprising benefits.
I put together a video explaining why, using examples from film and TV like Reservoir Dogs, Star Wars, Twin Peaks and my own graphic novel STILETTO.
Let me know what you think! Comment below or go to YouTube and do the same.
PS: I know a lot of people worldwide are hurting financially and in self-quarantine at the moment. So to offer some consolation, the premium Comics for Beginners course is available at a drastically reduced price until December 31st 2020. Follow this link to get lifetime access for only
In art, two plus two doesn’t always equal four. Using the same method or the same pen as Stephen King will not make you Stephen King. You need to find out what works for you, by trying out a bunch of different ways.
Some people work within very strict boundaries – setting a timer or planning out everything in detail ahead of time. Others work more intuitively, making it up as they go along. As long as you get a result – and a result that you can be satisfied with – it matters less how you got there. But to make a living as a creative, you need to be able to repeat the process, so it might be a good idea to take a few mental notes along the way. Be conscious of what it is you do and how you spend your time, so you can make the most of it.
It frustrates me to no end seeing other artist just killing it, when their working methods are obviously flawed. I have to remind myself that we’re not all wired the same way and what works for me doesn’t necessarily work for them and vice versa. I interviewed a friend of mine who’s a very successful writer, after he got a three-year grant from the Danish Arts Council. I was cripplingly envious (can you imagine that? THREE YEARS of rent covered!) and decided I needed to figure out how he got to that place. During the podcast interview it came to light that my friend was envious of the colleagues who could sit down and write for more than four hours. I can personally write for ten hours straight, if the family will leave me alone. So as it turns out, we all have our own struggles and comparing makes little to no sense.
If you want to derail yourself by looking at people better than you and being envious of their success, go right ahead. There’s a free resource called Instagram that’s perfect for that activity.
It took me many years to accept my own method in writing. Everyone I talked to seemed to write chronologically, apparently that’s what you’re supposed to do. But when I tried this method I would always get stuck somewhere in chapter five or whenever I hit a point in the story I wasn’t able to figure out at that given moment. I completely gave up and walked away from a few books that way.
I later figured out that skipping ahead and writing something I can figure out, I’ll keep my momentum and avoid getting stuck. I’ll get an idea for a piece of dialogue while I’m trying to write a synopsis or get an idea for the end while I’m writing the beginning. Apparently I’m just too much of a scatterbrain to work from A to B to C – and that’s OK! As long as I get to the end. Today I’ll allow myself to jump around, thereby short-circuiting whatever is blocking my way. I don’t care if this is the right method or not, I’ve become very good at ignoring what other people think.
You have to try stuff and fail a lot before you find what works for you. Maybe you’re a night owl and that’s when you seem to create your best work. A musician I know consistently sleeps late, while his wife drops their son off at school. He hangs with the family all day and goes to the studio after he put his son to bed at night, working until the sun comes up. Others insist that the morning hours are the most productive.
Perhaps you like working with crayons while your colleagues use markers or watercolor. See if there’s anything in their tools or working methods you can learn from – then go do your own thing.
This post is an excerpt from my book SOLO – Survival Guide for Creative Freelancers available now in print, audio and ebook format.
I was asked to participate in the Creativity Everywhere series on YouTube and talk about my creative process. Click below to see me break down how I work on a comics page, using a page from STILETTO as a concrete example.
On another note; While the pandemic is still affecting people globally I’ve discounted the premium comics course at $5. Go here to claim lifetime access.