How to Write & Draw Comics
Last week I taught a comics class at the Animation Workhop in Viborg. This week’s podcast is a summary of some of the things I taught – and learned myself! The main theme is choice: what kind of choices you need to make before you start drawing, and what you can do to make the process easier for yourself. As usual, your host is writer/artist Palle Schmidt.
What made you decide to work in the medium of comics?
I was always interested in art, primarily illustration, and the more fantastic and unreal, the better. By the time I was graduating high school, I had already been working at my local comic shop for four years — it was my first job. My favorites were artists like Barry Windsor Smith, John Buscema, Frank Frazetta, Joe Kubert, Los Bros Hernandez, and of course many others. It was obvious that I was going to pursue some kind of art, and I guess I chose the one I was most influenced by at the time: comics. While other kids were applying to various colleges, I only applied to one place: the Joe Kubert School. After that, it was all comics, all the time, for the next couple years, and I guess it’s been that way ever since — pretty much the last 20 years.
What part of the process is the most challenging or frustrating to you?
All parts! Seriously, I suppose there are different degrees of “frustrating”. I mean, I’m frustrated by lettering because I don’t really want to do it, so it feels like sort of a drag to me. But, on my creator-owned stuff, there’s no one else to do it, so I gotta. But that’s more about tedium than anything else. There’s the frustration you feel when you can’t draw something the way you want and you’re erasing a hole into the paper and wasting time. But that’s somehow different. It’s not tedium, it’s coming face-to-face with your limitations and learning how to either exceed them or circumvent them in some way.
All-in-all though, the thing I find most challenging with comics is the writing. There was probably a point when I was discovering comics where I’d buy something just because it looked amazing. That’s not enough for me anymore. I need a story I’m interested in or I can’t be bothered. So I believe story (not just writing, but STORY: art and words working together) is the most challenging and important part of the whole thing.
If you could give one piece of advice to an aspiring comics creator, what would that be?
Be versatile. Don’t just do one thing, one way. Be able to shift gears, employ multiple techniques and styles, and have a command of all aspects of comics making: writing, pencilling, inking, lettering, and coloring.
Follow Mike’s work at mikecavallaro.com
At NYCC I talked to Seth Peck about the Bad Karma writing collective, the succesful Kickstarter campaign behind the book Bad Karma Vol. 1 and about the importance of having partners in crime. For more info on Bad Karma and to get books and merchandice go to http://badkarmacreative.com/
We’re often told to listen to the voice inside ourselves. But what if that voice is preventing you from working on the thing you love most? This morning I went back to the New York Comic Con to talk to Tom Lyle (tomlyle.blogspot.com), comics artist known for his work on Spiderman and Batman & Robin and teacher at the Savannah College of Art & Design (https://www.scad.edu/). And I was surprised and encouraged by the fact that this 28-year comics veteran also hears voices. So it’s not just me!
Give it a listen and leave comments below.
I met Jim Zub, writer of Skullkickers, Samurai Jack and the Pathfinder comics at the New York Comic Con and grilled him about why he is letting everyone in on the secret to making comics. Turns out it’s all because of roleplaying!
For more of Zub’s great advice, go to http://www.jimzub.com or follow @jimzub on Twitter.
At cons like NYCC you hear a lot of chatter about “breaking in” to comics. In this episode we get three different perspectives on the subject: from writer Kurtis Wiebe (http://kurtiswiebe.wordpress.com/), artist Rick Parker (http://rickparkercartoons.blogspot.com/) and colorist Jose Villarrubia (http://www.mica.edu/About_MICA/People/Faculty/Faculty_List_by_Last_Name/Jose_A_Villarrubia.html). Some great tips and valuable insights in this one!
