Comics for Beginners

How to Write & Draw Comics

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The Monthly Grind – Comics for Beginners podcast episode 21

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The rabbit is out of the hat! BOOM! Studios is releasing the first issue of creator-owned book Thomas Alsop in June 2014, an occult New York story, written by Chris Miskiewicz and drawn by yours truly. Bleeding Cool did a nice little write up here: http://www.bleedingcool.com/2014/03/12/are-you-missing-hellblazer-here-comes-thomas-alsop/. I’ve obviously known about this for a while, even recorded an interview with my friend and mentor Peter Snejbjerg (http://www.snejbjerg.com) on the topic of working on a monthly book. Listen for more details.

You can read a 12-page short featuring Thomas Alsop here: http://welcometotripcity.com/2013/05/thomas-alsop-the-case-of-dead-uncle/ and watch the live action promo at http://welcometotripcity.com/2013/05/thomas-alsop-the-hand-of-the-island-official-trailer/

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Colorful sex with Jason Little – Comics for Beginners Podcast episode 20

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Jason Little is a Brooklyn-based indie comics creator, most famous for his Bee books, such as Shutterbug Follies. Although his style is colorful and uses clean lines, the books are NOT for kids – something the US audience seems to disagree with. Besides having the most impressive sideburns I’ve ever seen, Jason is extremely talented and eloquent speaking. Take a listen and see if you agree, and check out Jason’s work at http://www.beecomix.com and on his blog http://beecomix.blogspot.com.

Also in this podcast: news and more news! For tutorial videos and more on how to write and draw comics, go to https://www.comicsforbeginners.com/

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What if I can’t afford a studio space?

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I often give aspiring artist the advice to get a studio space with peers, to help boost your creative skills and work ethic. But an office in town is pricey and what if you live in a place where there aren’t really any studios that fit the bill?

Sitting in a room full of people working, is a great way to ensure you get some work done too. And an inspiring work environment with people who are better than you, will certainly make you up your game!

Investing in a studio space is actually an investment in your skills and your productivity, not to mention the network of other artist who may become your job entry. I personally think going all in on a studio space I couldn’t afford at the time absolutely made my career. And remember: it’s tax deductable!

If a studio is still out of reach, see if you can’t find some peers to connect with online. Commiting to post a certain number of pages each week or check in every Friday with a report of your progress and next week’s goals, can easily make up for lack of an actual studio spot. Hold each other accountable and try to be constructive in your critiques.

An online peer group should not be too big or to ambitous in terms of tech solutions. A Facebook group or a Skype call should suffice. Find just a handful of talented and dedicated peers with a common interest and start from there.

A lot of creators make good use of coffee shops or the local library for working, especially in the writing phase. But you can also do rough sketches or character designs in a cafe or the like. For some, the noisy public space is where they do their best work. And experts will tell you, that changing location is a proven way to kick your creative brain into gear.

Hope these few tips to beat the procrastination and gain some momentum without the actual studio space. But if you CAN get a spot, even just for a week or a month, give it a try and see if it doesn’t boost morale and skills tremendously. I know it did for me!

Related podcast: Working from home

Seth Kushner and Nathan Schreiber – Comics for Beginners podcast episode 18

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Seth Kushner (http://www.sethkushner.com/) is a photographer and writer, known for his awesome portraits in Leaping Tall Buildings: The Origins of American Comics and his Schmuck series and photocomics on Trip City. Nathan Schreiber (http://www.nathanschreiber.com/) is an Eisner and Harvey Awards nominated artist, whose own book Power Out won a Xeric award in 2009.

I talked to both Seth and Nathan about the art and craft while I was in New York this fall, only later realizing what a great double feature the two interviews would make, as they worked together on Seth Kushners Schmuck! Their collaboration on the Schmuck series can be found at http://welcometotripcity.com/2013/10/schmuck-14-size-11/

Seth Kushner and Nathan Schreiber's collaboration on Schmuck : Size 11
Seth Kushner and Nathan Schreiber’s collaboration on Schmuck : Size 11

How to become a better artist

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Do you think top athletes just decide one day to go and win the olympics? Well, maybe they do, but they don’t get there without a lot of work.

Getting to be good at anything, requires a lot of training. Ideally, you should do it every day.

It’s hard to give advice on how to get better at drawing or writing. But there are exercises, just as in sports, that you can use to develop the skillset and dicipline you need in your work.

My first tip is to set achievable goals. Don’t set out to write 5 pages a day, set out to write one. Just one. You increase your chance of succeeding, and thereby building confidence. Chances are you will even write more than you plan for, adding an extra feeling of success to your daily routine.

Getting in the habit of doing something every day can take some time, but it can be done. Start by just doing SOMETHING on your comic every day. Even if it’s just pencilling one panel.

Slow still get’s you there.

Find a peer group that can hold you accountable and help up your game. Playing against someone better than you, makes you a better player.

If there’s no one in you immediate circles who you can count on for inspiration and encouragement, use the internet as a way of connecting to peers. All it takes is a couple of people who are remotely interested in your progress, and you’re a lot more likely to improve your skills.

Putting up a daily strip or a weekly page can be a motivation – as long as you see it as a learning process and not a career. Careers tend to bring in some money and one cannot live on Facebook likes alone.

If you want to improve your drawing skills, take some lessons or draw from life. Be sure to force yourself to draw the stuff you are NOT good at. Over and over and over again. Also be sure to keep the drawings you make on file, however horrible they seem to you! It can be very hard to see progress when you’re in the middle of it. Looking back at earlier works will show you have improved, urging you to go further, get even better.

And to get better, you need to do it every day.