• Skip to main content
  • Skip to secondary navigation
  • Skip to primary sidebar
  • Skip to footer

Comics for Beginners

How to Write & Draw Comics

  • Contact
  • About
  • Faqs
  • Log In
  • Resources
  • Podcasts
  • Comics Crash Course
  • Blog
  • Videos

collaboration

Q & A at TAW

by Palle Schmidt Leave a Comment

TAW-students-making-comics

As you may know, I taught a comics course at the Animation Workshop in Viborg, Denmark last week. I’m planning a podcast about the course, that will probably go up later this week, but I also got some questions from students that I thought I would answer here. Perhaps there is some value in it for the Comics for Beginners community.

Q: When you’re working on a comic, don’t you ever want to change or ditch your story completely?

A: Yes, absolutely! Every time. But if I listened to the voice inside my head that tells me it’s not good enough, chances are I’ll never finish anything. I may decide NEVER to use this pen again or NEVER to make that same story mistake, but rarely do I change horses in the middle of the stream. That doesn’t mean I have no sense of self critique (at least I hope not), I just try to act like a pro and get it done. And whatever I learn, I take with me to the NEXT project.

I talked a bit about my collaboration with writer Chris Miskiewicz. I feel very fortunate to have met Chris and we get along very well creatively, with complete respect for each other’s work and a common goal to make the end result even better. When I described our working relationship, I got this question:

Q: How do you find a partner like that?

A: It’s probably different for everybody. First off, you don’t meet anybody if you just stay at home at your drawing board. You have to get out there. I met Chris at the MoCCA Festival in New York and we got along instantly. AND I liked the work he did. He lured me in with a smaller project, a short comic for his Everywhere! anthology on Act-I-Vate. Doing a little something together is probably a good idea to see if you’re on the same page. Test the waters. Meeting in person (and getting drunk together) is also something I would very much recommend, as it just takes the relationship to a whole other level than an online friendship. It frees up the communication.

Another question that was asked was about making a living as an artist and starting out:

Q: When did you decide to become an artist?

A: I didn’t, really. For a looong time I didn’t even ALLOW myself to think it was possible. I didn’t know anybody who made a living drawing, and my parents certainly didn’t either. So like the good parents they were, they persuaded me to get an education and/or a REAL job. Well, I botched thatcompletely. Never got a degree, but was working on illustration, comics, fanzine production while pretending to be a good student at the university and later the school of architecture here in Copenhagen, Denmark.  It wasn’t until I met Peter Snejbjerg (artist of Books of Magic, Starman, Preacher and numerous other US books), that I realized being an artist could be a profession and not just a hobby. Starting at Gimle Studios alongside Peter and a bunch of other pros made me what I am today. If not for them, I probably would have given up. So finding a peer group and a studio spot was key for me. AND running out of money, so I HAD to make it work!

It was a great experience to meet all the talented young  people in Viborg. Thanks to Aske, Fie, Kristian, Muir, Bob, Maria, Emil, Cathrin, Siri, Jacob, Eydi, Jam, Albert, Mathilde, Line, Clara, Julie, Nilas, Mette and Sofie for the opportunity to offer some guidance. Soon I’ll be asking YOU for advice!

 

Filed Under: News, Pro Tips Tagged With: career, Chris Miskiewicz, collaboration, comics, creativity, criticism, drawing, how to, learning, making comics, meeting people, mind hacks, mistakes, MoCCA, New York, TAW-Denmark, teaching, The Animation Workshop, Viborg, workflow

ProFile: Charles Soule

by Palle Schmidt Leave a Comment

ProFile-Charles-Soule

Charles Soule is a New York based comics writer and musician. He is best known in comics as the creator of Strongman, 27, Letter 44 and Strange Attractors. He currently writes Superman/Wonder Woman, Swamp Thing and Red Lanterns and for DC comics and Thunderbolts and She-Hulk for Marvel.

What made you decide to work in the medium of comics?

Much like many (even most) comics creators, I’ve loved the medium since I was very young. Some of the first stories I ever read were comics.  I’ve always loved writing, and commenced the idea of doing it as a career by writing a few novels.  That was a phenomenal experience, and gave me a great deal of discipline as a writer, but it was also a bit solitary and frustrating.  When those novels did not immediately catapult me into the upper echelons of the literary world, I turned to comics because of the shorter turnaround time and collaborative aspects.  I began with a few shorts, and then as I gained confidence and understanding, longer works. My first publication deal happened in late 2007, and it’s been onwards and (hopefully) upwards from there.

What part of the process is the most challenging or frustrating to you?

I’m having a hard time answering this one, because for the most part, I have truly enjoyed almost all aspects of the comics-creation process.  I suppose I don’t like it when writer and artist are totally out of sync, or can’t come together to discuss or compromise. That doesn’t happen very often, but it’s always a drag when it does.  Part of the joy of making comics is kicking an idea back and forth between the various creators involved to make something better than any of them could have done alone (again, hopefully).  If you can’t get there, then a lot of the point is lost, to my mind. No one’s idea is so perfect that it can’t be improved.

 If you could give one piece of advice to an aspiring comics creator, what would that be?

I have two pieces of advice – first, never stop working on your craft – write, draw, color, letter even if you know what you’re working on at that moment will never see the light of day.  It’s all valuable – you can’t ever overhone your skills.  And second, don’t rush things.  You don’t get to write Batman (or whatever your top tier goal may be) right away.  Don’t bring your stuff out until it’s ready – and “ready” is very simple to define, to my mind: ready = “at least as good as whatever other stuff is being published for the audience you want to reach.”  And again, don’t stop. It’s a long road, but it’s so rewarding.

More about Charles Soule at http://charlessoule.wordpress.com/

Filed Under: Pro Tips, ProFile Tagged With: 27, career, Charles Soule, collaboration, comics, creativity, learning, making comics, She-Hulk, storytelling, Strange Attractors, Superman/Wonder Woman, Swamp Thing, tips for making comics, Writing

Talking Bad Karma with Seth Peck – Comics for Beginners podcast episode 12

by Palle Schmidt Leave a Comment


At NYCC I talked to Seth Peck about the Bad Karma writing collective, the succesful Kickstarter campaign behind the book Bad Karma Vol. 1 and about the importance of having partners in crime. For more info on Bad Karma and to get books and merchandice go to http://badkarmacreative.com/

The Bad Karma boys, left to right: Jeremy Haun, B. Clay Moore, Alex Grecian and Seth Peck
The Bad Karma boys, left to right: Jeremy Haun, B. Clay Moore, Alex Grecian and Seth Peck

Filed Under: News, Podcast, Pro Tips Tagged With: Alex Grecian, B. Clay Moore, Bad Karma, career, collaboration, comics, Jeremy Haun, Kickstarter, making comics, New York Comic Con, NYCC, pro tips, productivity, Seth Peck, storytelling, workflow, Writing

  • « Go to Previous Page
  • Go to page 1
  • Go to page 2
  • Go to page 3
  • Go to page 4

Primary Sidebar

Hours of Premium Content

ComicsCrashCourse

Try the FREE 7-day Comics Course

Creator Profiles

Interviews with Creators

The CFB Podcasts

Find them here.

Comic Creators eBook

The Comic Creators eBook

Footer

Check out more resources

Bundles of quality content available, check how to write comics and how to make your comic book artwork look great or find tips and tricks on the blog.

Latest from the blog

  • Video: How to get Story Ideas
  • Video: The Benefit of Being a Nobody
  • Video: Why Creatives Hear Voices
  • Digital Tools for 2021
  • The Most Badass Tools for Inking Comics
  • Why Creative Restrictions are Good for You!
  • How to Write a Great Story – and Stick the Landing

Contact us

If you have questions or issues please contact us.

Official mail: mail(at)comicsforbeginners.com

Feel free to connect on Twitter and/or Facebook.

Copyright © 2022 · ComicsForBeginners by Palle Schmidt Log in