Comics for Beginners

How to Write & Draw Comics

self-critique

Bonus Video: Lucy Bellwood and her 100 Demons

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I first met Lucy at Periscope Studios in Portland, OR, where I had the great privilege to work from a guest table for a few weeks back in 2014 (you can hear the podcast episode I did with Steve Lieber here). Even then she struck me with her wisdom, despite her young age. I never managed to get a real sit-down with Lucy back then but when I saw her new project 100 Demon Dialogues I jumped at the opportunity to chat with her about dealing with your inner demons as an artist, tabling at cons and having a career as a creative freelancer.

Check it out here and please share with your self-deprecating artist friends!

Links mentioned in this video:

Lucy is @lubelwoo on both Instagram and Twitter

Are you a hack or a primadonna?

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hack-or-primadonna

How do you decide when a script or drawing is finished? When is it good enough and when does it need more work?

At my old studio, we used to joke: When is a drawing really good? When it is done!

We sometimes continued to come up with alternatives, like: When the invoice is sent!

While it sounds like a shallow hack remark, there is a level of truth to it. Because just as you can do sloppy artwork just to get something “done”, there is also a great risk of spending to long on something and ruin it in the process. Besides, life is short. You want to get more than one drawing done, so you shouldn’t keep obsessing over one piece of art, trying to make it “perfect”!

The perfect drawing does not exist. Because you will change, however unnoticeable, as you are working on it, and that will change how you look at the drawing.

But how do we know when something is “done” or “good”?

That is a hard question to answer. Wether it be a piece of art or a manuscript, you just need to pass it on at some point. Get a second opinion. To judge something yourself, you need a bit of distance. You don’t always have the opportunity to put something in a drawer for a month or two. You might be on a deadline.

But there is a skill to deciding whether the thing you’re working on is good enough or needs some more work.

If it’s paid work, you also need to take money into consideration. What would be the hourly rate if it takes you ten hours to do an illustration? If the answer makes you cringe, perhaps you need to be spending five hours instead. It all depends on the situation.

A work of art should be judged not only by it’s artistic merit, but also by the circumstances under which it was made.

As artists, we walk a tightrope between being lazy hacks and overly self-critical, meticulous primadonnas. Too little self-critique and you stop growing as an artist. Too much self-critique and you might end up quitting art altogether. Because it’s just too damn hard.

Whenever you find yourself in a place where things are really, really hard, remind yourself that’s because you are growing, improving, learning.

Somewhere in you, between the hack and the primadonna, there is a humble, realistic and self-aware professional waiting to get things done. Stop getting in his way and let him go to work.