Where do ideas come from? How do you know if a story idea is good or not? And is it true that Danish writer/artist Palle Schmidt wrote a big Hollywood movie? Yes! Well, almost…. This video uses music from https://www.bensound.com
workflow
Digital Tools for 2021
Happy New Year! Or maybe not so happy. I do allow myself some cautious optimism for 2021 even though Denmark is currently in another lockdown because of Covid. I’m currently sitting at the small kitchen table in our three bedroom apartment, while my wife and kids occupy the other rooms, each with their own laptop and online work schedule. My workflow has certainly also changed in the last year and it wouldn’t have been possible without some of these awesome digital tools:
Simplenote – notes on the go
I’ve had severe problems with the Notes app on my iPhone and mac. Syncing issues, where the note I just wrote disapeared, all notes gone after an ios update, stuff like that. I spent hours trying to troubleshoot, no dice. So instead I bought Simplenote, which syncs across all platforms and should my phone or mac ever crash, I can just log in from any device with my email and password and all notes are there in the latest version. Simplenote also allows for tags so it’s easy to find story ideas, recipes, contacts or whatever you decide to put in.
Tripit – plane travel made easy
This tool may not be the most needed during a pandemic and various lockdowns. But keep it in mind when the World hopefully returns to some sort of normalcy. Tripit is a travel app that collects your flight info in one place, letting you easily access time, flight number and the most basic info. After a quick and free setup, forward the email with your flight itiniary to pIans@tripit.com and within seconds it’s nicely organized within the app on your phone. No more frantically searching your inbox for your ticket, no more scrolling through seven pages of terms and condition to find the flight number. really a time saver.
Savefrom.net – simple YouTube downloader
I’ve recently used movie clips for educational purposes and YouTube is without a doubt the best place to search for stuff like that. There are also a lot of royalty free stock footage on the platform. But how do you get it out of YouTube and onto your computer so you can edit? Simple: Use this free YouTube downloader. Just paste the url and click download.
Editframe – the podcaster’s new best friend
This I use for uploading podcast episodes to YouTube. I’ve spent fruitless hours looking for an audiowave effect to add some movement to the episodes as a thumbnail picture is just not that interesting to look at for an hour. Editframe can create movies and social media clips with the effect over a thumbnail, audio and video. Really simple editor, very intuitive and free to try. I look forward to using this in the future rather than opening up iMovie every time I need to edit something small for Instagram or YouTube.
StreamYard – streaming and online meetings made easy
This is another new service I signed up for because of Covid. It’s basically a home studio setup that can stream directly to your Facebook page. You can invite guests, add your logo (with the paid monthly subscription) and save videos of every stream for later use. Neither you or your guests need to install anything as it is all web based. Simple, intuitive and super functional for online events and meetings.
Auphonic – audio editing for dummies
For someone who edits his own podcast, I must admit my skill in sound design is sorely lacking. That wavy, squiggly line scares the crap out of me, I have no idea about room tone, noise reduction or audio levels. But thanks to Auphonic I don’t need to! This free (up to 2 hours of audio a month) service fixes all that automatically. I just upload my file and it makes it better. I have no idea how, I just now it works. And if I need more hours I can top off with my credit card (currently $12 for an extra 5 hours, $22 for 10) – no recurring fee.
Streaks – rock-solid habit builder
Streaks is basically just a habit tracking app. Plenty of those around but this one ensured that I did daily exercise for over a year now. Started just doing a few push-ups and kept at it, because I was reminded daily. You can set up any habit and frequence. The app doesn’t completely replace good old fashioned discipline, as you can obviously just mark it “done” with no fear of repercussions, but it’s worked for me. Much more than I had anticipated.
I also cannot make a list of digital tools without mentioning Dropbox, which makes sure I have access to all files on all devices. I save everything in there and I truly love the service.
What are some of your favorite digital tools? Let us know in the comments!
How to Write a Great Story – and Stick the Landing
So you’ve read all the books on writing, from Syd Field to Scott McCloud and you still struggle with writing a compelling story. Nothing seems to work or hold your interest long enough to get the damn thing finished!
It sounds to me like you’ve been looking for inspiration in the wrong places. Books on storytelling can be great to help you course-correct but rarely feed the creative fire to create something from scratch. You need to turn your looks to your inner self, what stories are bubbling in there that you want to tell? Or read lots of fiction to get inspired for your own stories.
I certainly can relate to jumping from one story to the other, I do it all the time (see this post on writing for scatterbrains: https://comicsforbeginners.com/writing-tips-scatterbrains/). The main difference I think is I have enough discipline and/or experience to either abandon a story with total conviction (after not spending too long on it) or clench my teeth and finish the damn thing at some point.
A friend of mine who’s a very succesful and wildly productive writer once told me: “He who has written is wiser than the one who has not.” Meaning you DO learn and evolve, even though you may end up scrapping the ten pages you just wrote. My friend also suggest keeping all the failed attempts and false starts on file because who knows? Maybe one day that bad idea can be used as a subplot for another story, a character you wrote can be brought back from the dead to play a part in something else, or you will simply get a new idea from skimming through an old one. I personally just found a document I had forgotten I wrote, which turned out to be a pretty decent outline for a crime story that never really found it’s form. Looking at it now it seems perfect to pitch to this new editor I just had a meeting with.
Not everything has to pay off here and now. You can plant seeds and maybe one day some of it will bear fruit. Be patient.
That said, you need to finish something to build your confidence as a storyteller. Every abandoned project that just didn’t work or you lost interest in will add another frustrating chip in your armour, make you feel like a loser. I harp on this a lot, the fact that quitting half way through a project breaks down our self-confidence as creators – and we NEED that self-confidence, it’s at the core of our creative existence. We need to nourish it and shelter in from the slings and arrows of outrageous fortune as Shakespeare put it, keep it safe from the nay-sayers and the sceptics, because they will stomp that thing into oblivion if you let them.
I recorded a podcast episode on quitting that might be helpful: https://comicsforbeginners.com/comics-for-beginners-podcast-episode-30-why-we-quit/
Again, there is the possibility you just don’t have a knack for writing. And that’s totally OK! You can work with a writer or a writing partner (which might also help keep you on track and accountable). I wrote a post on getting an artist on board. If you flip the narrative, you might find some good ideas here: https://comicsforbeginners.com/catch-artist/
Choosing which story to pursue is not easy. Decide early on to ditch the idea or stick the landing. If you find yourself returning to a story again and again in your mind, then it’s time to commit to develop it further. Set a deadline, get an accountability buddy who agrees to read your first draft.
My final piece of advice would be to spend a day or two writing up a synopsis or just notes on a story, then leave it be for a week or more. If you keep returning to the story and characters in your mind, that’s an indication there’s more to explore in that world. If you don’t dream or think about the story at all, doesn’t mean it’s not a good idea – it just means you are not meant to write it.
Whatever Works
In art, two plus two doesn’t always equal four. Using the same method or the same pen as Stephen King will not make you Stephen King. You need to find out what works for you, by trying out a bunch of different ways.
Some people work within very strict boundaries – setting a timer or planning out everything in detail ahead of time. Others work more intuitively, making it up as they go along. As long as you get a result – and a result that you can be satisfied with – it matters less how you got there. But to make a living as a creative, you need to be able to repeat the process, so it might be a good idea to take a few mental notes along the way. Be conscious of what it is you do and how you spend your time, so you can make the most of it.
It frustrates me to no end seeing other artist just killing it, when their working methods are obviously flawed. I have to remind myself that we’re not all wired the same way and what works for me doesn’t necessarily work for them and vice versa. I interviewed a friend of mine who’s a very successful writer, after he got a three-year grant from the Danish Arts Council. I was cripplingly envious (can you imagine that? THREE YEARS of rent covered!) and decided I needed to figure out how he got to that place. During the podcast interview it came to light that my friend was envious of the colleagues who could sit down and write for more than four hours. I can personally write for ten hours straight, if the family will leave me alone. So as it turns out, we all have our own struggles and comparing makes little to no sense.
If you want to derail yourself by looking at people better than you and being envious of their success, go right ahead. There’s a free resource called Instagram that’s perfect for that activity.
It took me many years to accept my own method in writing. Everyone I talked to seemed to write chronologically, apparently that’s what you’re supposed to do. But when I tried this method I would always get stuck somewhere in chapter five or whenever I hit a point in the story I wasn’t able to figure out at that given moment. I completely gave up and walked away from a few books that way.
I later figured out that skipping ahead and writing something I can figure out, I’ll keep my momentum and avoid getting stuck. I’ll get an idea for a piece of dialogue while I’m trying to write a synopsis or get an idea for the end while I’m writing the beginning. Apparently I’m just too much of a scatterbrain to work from A to B to C – and that’s OK! As long as I get to the end. Today I’ll allow myself to jump around, thereby short-circuiting whatever is blocking my way. I don’t care if this is the right method or not, I’ve become very good at ignoring what other people think.
You have to try stuff and fail a lot before you find what works for you. Maybe you’re a night owl and that’s when you seem to create your best work. A musician I know consistently sleeps late, while his wife drops their son off at school. He hangs with the family all day and goes to the studio after he put his son to bed at night, working until the sun comes up. Others insist that the morning hours are the most productive.
Perhaps you like working with crayons while your colleagues use markers or watercolor. See if there’s anything in their tools or working methods you can learn from – then go do your own thing.
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This post is an excerpt from my book SOLO – Survival Guide for Creative Freelancers available now in print, audio and ebook format.
Coloring in Photoshop – 5 Steps for the Absolute Beginner
Digital coloring can be just as elaborate and detailed as an oil painting. But if you’re just getting started, here is a simple step-by-step guide for getting ready to color your comics in Photoshop.
Step # 1: Scan your line art.
I would recommend scanning in Grayscale and converting to Bitmap after. The resolution should be at least 300 dpi (dots per inch), maybe even 600 dpi. I would also recommend converting your line art to bitmap before you start working on it, to make sure the lines are crisp and clean.
Step # 2: Grayscale to RGB
I know I just told you to convert your line art to Bitmap – But in order to start coloring, you need to convert it back to grayscale, before you can convert it to RGB.
Step # 3: Copy your background layer
Making a copy of your line art layer is a good precaution, in case you screw something up. Click the visibilty of the original layer off and set the layer mode of the copy to “multiply”. This basically transforms your line art layer to the equivalent of clear plastic film that you put on top of your color layer.
Step # 4: Color layer(s)
Make a new layer in “Normal” mode, and make sure to place it under your line art layer.
Step # 5: Start coloring!
That’s it! No more steps really, unless you want to get creative – which you should! But this post is meant to just get you started, so these 5 steps are all you need to know for now, except this:
Bonus step: Save, flatten, save again.
When you have finished coloring your page (and along the way, just to be sure) save your work as a Photoshop file, so you have a back up including all the layers.
Then go to the “layers” menu and click “flatten image”.
If you intend for your comic to be printed, convert the color mode to CMYK and save it as a Tiff file. If it’s for web use or an inkjet printer, keep it in RGB and save it as a Jpeg.
Related post: Tips for Digital Coloring
The Art of Being an Artist
Your first year or two as a creative freelancer the focus should be to build your boat and get in the water. When you’re afloat and not taking in water, you can start to think about your destination. Where would you like to go?
To many people, art is a hobby. But it’s when you really start to take it seriously and treat it as your job that you really pivot. William Faulkner is quoted of saying: “I only write when inspiration strikes. Fortunately it strikes at nine every morning.”
Showing up at your desk is when things start to happen. The more you show up, the more likely it is that you’ll create something of value. You have to put in the hours, consistently. Painting a couple of times a month won’t make you a great painter. You have to build momentum and consistency and daily routines is key.
You can have a somewhat mediocre talent and still have a great artistic career. Just as you can be insanely talented and still struggle making it work. It’s not about talent as much as it is about courage, persistence and resilience.
Keeping your ego in check is another important aspect. You need some ego to find the belief the song you wrote is so great that everybody needs to hear it. But that ego can just as easily trip you up, if you start to think people don’t appreciate your genius enough. Or you strive for perfection in your work, feeling like it’s never as good on the paper as it was in your head (hint: It isn’t. This feeling never goes away, believe me!).
As an artist you expose yourself a lot and have to be willing to take criticism. You have to push yourself, and not hold back out of fear of what people might say. You have to be okay with shipping something you’re not a hundred percent satisfied with – chances are you never will be.
In 2011 I sat for a few weeks at Dean Haspiel’s Hang Dai Studios in Brooklyn. One of the guys at the studio asked for Dean’s advice on whether to take on a particular storyboarding job. He was worried he would fall short and botch the job somehow. Dean replied: “You need the money? Then you take the job. And you fail. HARD. And you learn from that”. That attitude was truly inspiring; expecting to fail and being okay with it. I certainly learned a lot from my brief spell at Hang Dai but also from taking on tasks I wasn’t entirely ready for.
One of the things I hear tossed around a lot, is the idea that you’re only as good as your last work. I disagree. You are the sum of all your creative outputs, good or bad. And you’re not always the best judge of quality – in fact you’re likely the worst. You just have to do the best you can at that moment and get it out there. You don’t end up back at square one because some project didn’t turned out the way you wanted it. In fact you learn more from a project like that than you do from a smooth success.
When the process is grueling, frustrating and hard, it’s likely because you’re evolving and growing as an artist. When you reach that plateau and it feels like you’re never going to get better, when you feel like quitting – that’s exactly when you need to push through.
If you want to learn to swim, you have to go in the deep end of the pool.
This post is an excerpt from my book SOLO – Survival Guide for Creative Freelancers – Order now on Amazon.
