inking

Bland. That’s how I would describe this face. I obvouiusly drew it like that on purpose to make a point. But without really changing the expression of the character, I can easily make it more interesting to look at, by adding some dramatic shadows.

1: Downlit

The safest way to apply shadow, is under all the features of the face that extrude – The chin, the nose, the eyebrows (and in this case, the hair).

Effect: If applied lightly, like shown here, not much. But it DOES make the drawing quicker to read, as the main features stand out.

Pitfalls: Shading under eyes and chinbones can make characters look very old/bony.

2: Uplit

Oooh, spooky! Who hasn’t held a flashlight under their chin to look like this?

Effect: Dramatic, fearful, scary.

Pitfalls: That shadow on the upper lip could easily look like a moustache. Handle with care.

3: Backlit

Another great dramatic shading technique, allowing you to hide facial details = less to draw!

Effect: Makes the character look menacing and/or makes the reader uneasy, because the expression is unreadable.

Pitfalls: Too much black, and you can’t recognize the character. Too little, and it will look like a smear right down the middle of the face.

4: Sidelit

One of the most used ways of shading is the light from one side. It also helps reader navigation, like if you cut between two characters talking – one would be lit from the left, the other from the right.

Effect: I guess you could go Freudian, and imply split personality, but… In reality, it just looks cool.

Pitfalls: Too sharp lines between the light and dark side will make it look like the person put on half a cowl. Put some dark areas on the light side of the face and blend the lines: Problem solved.

5: Double-lit

Almost the same as above, only with a second light source, to make the face seem three-dimensional and add to the atmosphere.

Effect: Makes it look like you are the best artist in the world! Seriously!

Pitfalls: It’s tricky to tackle both light sources at once, so draw the primary shadow first and then apply the secondary light source in highlights after the fact. Here I added a little more dark to widen the distance between the light sources. It’s also a good idea to make one highlight sharp and the lines on the other more fuzzy.

Homework assignment: Print out a bunch of copies of the shadowless, bland face and test your newly achieved skills!

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